![]() ![]() Make the brush size larger, and change the Exposure to about 60%. Now you can brighten the tricky areas, such as around the eyes, to let a little more light into that region – and you can reduce the darkness in the forehead at the same time. You could now switch to the Dodge tool, but there’s a shortcut: holding Alt (Windows) or Option (Mac) allows you to access that tool temporarily. As you paint, you’ll see the image darkening. ![]() Paint over the over-bright areas of the image, such as the side of the hand and the forehead, which were previously blown out. The difference is that you’re now looking at the layer through the Adjustment Layer, rather than applying the effect directly this means you can modify the underlying layer while still seeing exactly the result you’re going to get.Ĭhoose the Burn tool, set to Midtones, and set it at a very low Exposure – about 10%. Go to Layer > New Adjustment Layer > Threshold, and you’ll see a very similar effect. So Cancel this operation, and start again. But while this makes the sweater more defined, it completely loses the detail in the face. You can drag the Threshold slider to the left, which will brighten the image and turn a smaller range to pure black. The face is reasonably well converted to black and white, but all the information in the sweater has disappeared – and the side of the hand has vanished entirely. The conventional way of stylizing an image of this kind is to use Image > Adjustments > Threshold, which produces this effect by default. It should be a silhouette, so that the background remains pure white otherwise, you’re likely to get stray bits of scenery looking odd as they poke out of your subject’s head. You can use just about any image you like for this process. But this isn’t enough on its own as we’ll see here, by using an Adjustment Layer instead, we’re able to customize the end result so as to bring everything perfectly into view. The standard method of achieving this is to use the Threshold adjustment. It also has the advantage of unifying images drawn from a wide range of sources, so they all look as if they belong in the same publication. Turning images to black and white gives them a stark, urban feel that can look great in reports and magazines. ![]()
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